Hamerton Zoo Park (post category)

corsac fox (alt text)

Corsac fox I Vulpes corsac

The Corsac fox hails from central and northeast asia — places such as Mongolia, Kazakhstan, Uzbekistan, Siberia and parts of China. It’s described as ‘medium-sized’, although it’s much smaller than our resident red fox, the largest of the true foxes.

The group at Hamerton breeds quite successfully, and I believe Hamerton supplies most of the Corsac foxes seen at other collections in the UK.

This was my first ever visit to Hamerton, which is an excellent collection not far from the A1/A14 intersection in Huntingdonshire. I’d spent the entire day there, and now it was late afternoon, most of the visitors had left and I was one of only a few remaining. It was a lovely sunny late August Sunday, and I’d taken several hundred shots around the various enclosures.

The foxes, which all share a large enclosure containing several ‘huts’, had only been seen in ones and twos throughout most of the day; however, now there were many more visible, including several which were obvious youngsters, probably born earlier that year.

While most of the foxes paid little attention to anyone other than the keepers, this particular individual emerged from the long summer grass, headed straight towards me, and sat down right next to the fence, staring intently at me.

The enclosure has a high fence, with a diagonal mesh, to contain the animals. Outside of this, there is a grass gap of around 1m (3 ft) and then a low fence to deter visitors from getting too close.

My usual camera setup involves a right angle finder attachment, clipped to the viewfinder, which allows me to get the camera down to a low level without having to lay on the ground to do so. It certainly saves my aching back! I’m then looking down into the camera, which is still shooting horizontally.

So, at a place like Hamerton, I can kneel or crouch on the path next to the low fence, and the camera is then just a few inches above the ground, pointing at the subject, through both fences. In this case, it was eye-level with the young fox, which was clearly very interested in what I was up (down) to.

As he was so close to the main mesh, I needed to get the lens as near as I could (within reason) to the main fence in order to stand any chance of throwing it far enough out of focus so as not to be troublesome in the final image. I aligned it with an appropriate gap in the mesh of the low fence — one which also allowed me to see both eyes unobstructed by the wire of the main fence. I set a wide aperture and hoped for the best.

I would estimate the fox was only around 1.5m away, but not at all perturbed by my shuffling around to get into position. He/she stayed there for half a minute or so — yawning halfway through that period — before losing interest and wandering back into the long grass.

image edit

The final image, with it’s warm contre-jour lighting, lovely background grasses, and intense expression on the face of the fox, needed very little post-processing.

Corsac fox I (prior to edit)

I left the framing pretty much as shot. Yes, the diagonal chequer pattern of the main fence is visible, but I don’t feel it detracts from the subject. I later tried a square format crop, which also works well.

Technical

f/4.5

aperture


1/640s

shutter


320

iso


189mm

focal length


corsac fox (alt text)

canada lynx alt text

Canada lynx I Lynx canadensis

I had a few hours to spare. I didn’t need to be on the east coast until late afternoon, visiting friends for a New Year get-together. Hamerton wasn’t too far off my proposed route to the coast, so I grabbed my camera bag and set off for Huntingdonshire.

Hamerton Zoological Park is quite a recent discovery for me, but it has quickly become one of my favourite places to visit. Although quite small, it has a range of unusual animals, and I’m lucky in that it’s only about an hour or so’s drive from my home.

One of the more recent additions to the collection are the pair of Canada lynx.  These were, I understand, brought over from a private collection in the USA around a year ago. The female ‘Tanzi’ has been kept offshow since her arrival, but the male ‘Timmy’ can be viewed in a prominent position very near to the entrance to the Park (in the Binturong House). This is a temporary situation: work is almost complete on a spacious new enclosure which will house both animals in due course. Hamerton is, I believe, the only UK collection currently holding this species, and one of only half-a-dozen or so in the whole of Europe.

I arrived just after opening time on a gloriously sunny New Years Eve morning. I couldn’t see Timmy in his outside enclosure, so popped my head inside the Binturong House and saw him sitting on a fake rock in the window, basking in the low winter sunshine streaming through the glazed doors. I took a quick wide shot of the entire scene from the doorway, and then carefully retreated in the hope of not disturbing him. After adjusting my camera settings, I then re-entered the house very slowly and was pleased to see that he obviously wasn’t planning on moving out of his suntrap any time soon. I was then able to take several closeup shots of him as he continued to enjoy the sun.

Out of the eight shots I took, this was probably my favourite. Although I somehow missed getting both ear tufts in shot, I still like it for the slightly quizzical expression on his tilted face, and the hint of a warm defocussed background in the lower third of the shot (the interior of the house is lined with what appears to be wood-effect panelling).

I’d chosen an aperture of f/5.6 for this particular shot, on my 70-200mm zoom set at a typical portrait focal length of around 90mm. The lynx head is roughly the same overall size as a human head, so these portrait settings can apply equally well to both types of ‘sitter’. I could’ve lowered the ISO below my chosen setting of 400, but on the Canon EOS 5D Mark III there is little noticeable difference between the lower ISOs, at least for ‘normal’ size enlargements. ISO 400 allowed me to retain a highish shutter speed of 1/500s, which meant I could handhold the camera quite easily without camera shake becoming a major factor, even if I decided to zoom in to 200mm for a detail shot.

image edit

Here is the original shot:

Canada lynx I (prior to edit)

Post-processing on this one was quite straightforward — lifting the shadows/midtones whilst deepening the darker tones. Also bringing back some detail in the whites by use of the Highlights slider in Lightroom. Adding a little Vibrance and that was it. The crop was exactly as seen in camera, with the head positioned slightly off-centre, tilting into the space on the left of shot.

Technical

f/5.6

aperture


1/500s

shutter


400

iso


93mm

focal length


canada lynx alt text